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Stay up-to-date with the latest news from Christ Church in Philadelphia.

Remembering Benjamin Franklin

In 1728, at age twenty-two, Ben Franklin, freshly returned to his  chosen home of Philadelphia, wrote a mocking epitaph for himself: “The Body of B. Franklin, Printer; like the Cover of an old Book, Its  Contents torn out, And stript of its Lettering and Gilding, Lies here, Food  for Worms. But the Work shall not be wholly lost; For it will, as he believ’d,  appear once more, In a new & more perfect Edition, Corrected and  amended By the Author.” 

At age twenty one Ben Franklin had his first attack of pleurisy. At age  twenty-eight, he had a second attack, this time with an abscess on the left  lung, leaving him vulnerable. In his later years, the attacks came readily,  along with a sizable bladder stone.  

In 1790, at age eighty-four, Ben Franklin writhed in bed, as he had,  for nearly twelve months. His attending physician would send an account  of his time for publication soon after Franklin’s death: sixteen days before  death, he was seized with high fever; soon after, he reported symptoms of  chest pain, cough, and difficulty breathing; five days before death, in his  lungs, an abscess formed and pressed against his lungs. The abscess burst.  He threw up. He expired around 11’o clock. 

While it was his final days, he was still Ben Franklin. He would lie in  bed and be over taken with paroxysms; he would take large doses of  laudanum. But between these attacks, he dilly dallied with reading and good  conversation, with business of both private and public affair. “I hope you  live many years more,” his daughter said. “I hope not,” he replied. His final  words, allegedly: “A dying man can do nothing easily.” Upon his passing,  Count Miraebau declared to the French National Assembly: “He was able  to restrain thunderbolts and tyrants.”  

France went into national mourning. They sent tributes about  Franklin to the senate. They were ignored. James Madison asked his  colleagues to wear symbols of mourning for one month. The House of  Representatives agreed. The Senate declined, influenced, perhaps, by John  Adams, who had long held disregard for Franklin, as did Richard Henry  Lee. Thomas Jefferson asked the executive branch to wear mourning  symbols. George Washington declined, fearing it was too similar to how 

royalty was honored. Ben Franklin would not be publicly mourned in  America, at least not nationally. 

On April 21st, 1790, Philadelphia held Ben Franklin’s funeral. 20,000  people attended. The city was 28,000 people big.  

It was silent, despite the size of the crowds. The procession ended at  Christ Church. Every clergyman of the city walked before the corpse.  William Smith, a rival of Franklin’s, performed the eulogy. The city was in  mourning, and they stood reverent before a man who had lived a large life,  who had symbolized for them the formative values of an infant nation. 

A few days later, the Pennsylvania Mercury published a letter of  Franklin’s, originally sent after the death of his brother John, to comfort a  family member:  

“We are spirits. That bodies should be lent us, while they can afford us  pleasure, assist us in acquiring knowledge, or doing good to our fellow  creatures, is a kind and benevolent act of God – when they become unfit  for these purposes, and afford us pain instead of pleasure – instead of an  aid, become an incumbrance, and answer none of the intentions for which  they were given, it is equally kind and benevolent that a way is provided by  which we may get rid of them. Death is that way.”

The Rev. Timothy Safford, Rector, announces March 2022 retirement

Read Tim Safford’s letter to the parish and community here.

The Rev. Timothy Safford on Palm Sunday, 2021

FROM THE VESTRY OF CHRIST CHURCH, APRIL 18, 2021

Grace to you, and we greet you in the peace of the risen Christ.

As announced in worship on April 18, the Christ Church vestry has accepted the resignation of the nineteenth rector, the Reverend Timothy Browning Safford. Tim’s last day as our rector will be on March 31, 2022, just shy of his 23rd anniversary at Christ Church.

Throughout his time with us, Tim led us toward true koinonia grounded in agape love and expanded our vision of welcome of ourselves and others with the weekly words “Whoever you are and wherever you find yourself on the journey of faith, you belong here, just as you are.”

The vestry has decided to look to this time as one of immense opportunity. In the midst of sadness, there is room for joy and excitement for our next chapter. Our congregation is healthy. During the pandemic, our virtual numbers have remained steady. Over 100 people came to celebrate the risen Christ on Easter Sunday. We are steadfast in our stewardship. All of this demonstrates our love for each other and Christ Church, and that will not waiver.

As we work together this next year and then into the period of transition, we are blessed to have a supportive clergy and who will assist in maintaining continuity. The vestry is deeply grateful to the Reverend Susan Richardson, Parker Kitterman, Cecilia Wagner, the staff members who will continue to shepherd our spiritual life, and for the Reverend Palmer Hartl, who will continue to serve. Barbara Hogue, Executive Director of the Preservation Trust, will continue her work to expand the Trust’s reach and engagement with the community. Each of us has work to do if we are to live out the mission we identified in our recent Strategic Planning process. That Study laid out a vision for our future, and work has already begun to implement that vision. The work will continue and it is up to us to achieve it.

Transitions happen at the best of times. Our responsibility as a congregation is to decide how we wish to manage it. Over the next year, we will celebrate Tim’s ministry while searching for an interim rector who will join us. At that time, we will continue the work of discerning who is to be and then calling the twentieth rector of Christ Church. As Bishop Daniel Gutiérrez reminds us, our next rector has already been called; our job is to pray for guidance to find that person.

The vestry will offer space for the congregation to come together at a parish-wide forum on Sunday May 2nd, immediately after the Sunday service. We will hear directly from Tim regarding his transition. We will then hold listening sessions to hear from you. The dates for these gatherings are at the end of this letter. You should also feel free to reach out to any member of the Clergy or vestry. We are here to listen.

This will be a time for deep prayer for all of us, as we seek God’s guidance. To assist us in this important ministry, Bill Myers, a former vestry member, will lead our newly created Prayer Committee that will pray for our congregation and all those involved in our transition.

There will be other opportunities for you to offer your time and talents as our incredible journey unfolds. Our love for Tim, each other, Christ Church and the Risen Christ will carry us through, united as one by the Holy Spirit, as we begin the next chapter in our history.

Signed by the Christ Church Vestry, April 18, 2021

FringeArts Artistic Producer Katy Dammers Hosted a Virtual Panel About Choreographer David Gordon

Today at 3 pm! FringeArts artistic producer Katy Dammers will host a virtual panel discussion about the layered nature of choreographer David Gordon’s artistic practice as seen in our critically acclaimed production THE PHILADELPHIA MATTER/1972-2020. The panel discussion will include archivist Patsy Gay, performer Valda Setterfield, and writer Suzanne Carboneau. Learn more at neighborhood-house.com

Major funding for THE PHILADELPHIA MATTER, 1972-2020 is provided by The Pew Center for Arts & Heritage.

FYI Philly/Channel 6 Features Neighborhood House; Panel Discussion Saturday!

Did you miss the Eagles game to watch the FYI Philly segment on Channel 6 yesterday? If not, we bet you wish you did! Here is a highlight featuring Neighborhood House and FringeArts.

On Saturday, American master choreographer David Gordon joins our Executive Director Barbara Hogue for a panel discussion on THE PHILADELPHIA MATTER-1972/2020 along with his collaborators and two of our Philadelphia-based performers.

How does an 84-year-old choreographer re-envision his craft of 60+ years during a pandemic? Join us at 3 p.m.  to find out. (We will post a link on neighborhood-house.com tomorrow!)

 

TimeOut New York Calls NH-Commissioned Work “Best Live Theater to Stream This Week”

The great reviews keep rolling in! TimeOut New York counts David Gordon’s THE PHILADELPHIA MATTER-1972/2020 among this week’s Best Live Theater to Stream Online. Neighborhood House commissioned the work, premiering tonight at #PhillyFringe2020, with major funding provided by The Pew Center for Arts & Heritage.

For tickets and more information, visit our project page on the NH website.

Look for coverage on CBS 3 today as well!

New York Times Reviews Neighborhood House’s “The Philadelphia Matter- 1972/2020”

The Philadelphia Matter
We are thrilled to announce today’s New York Times review of “The Philadelphia Matter- 1972/2020.” Read the full article.

Produced by Neighborhood House, the performance will premiere on Thursday at 7 p.m. For tickets and more information, click here. On Wednesday, see a preview of the project at the Farmers Market at Christ Church! Performers will present from 4-7 p.m.

** Major support for this project is provided by The Pew Center for Arts & Heritage.

Historic Quaker Treasures Added To Unprecedented Digital Archival Effort

18th century manumissions and 17th century burial records are among tens of thousands of early Quaker documents recently added to a major digitization project spearheaded by Christ Church Preservation Trust. Contributed by Haverford and Swarthmore Colleges, these records will be available to free online access for the first time.  

The “Digitizing Philadelphia’s Historic Congregational Records” project began two years ago, when the Council on Library and Information Resources (CLIR) awarded a Hidden Collections grant to Christ Church Preservation Trust. The $385,000 award — funded by the Andrew Mellon Foundation — allowed the Trust to digitize the records of eleven of Philadelphia’s historic congregations, including the African Episcopal Church of St. Thomas, Gloria Dei, Christ Church, Mikveh Israel, the First, Second and Third Presbyterian Churches, St. Paul’s and St. Peter’s Episcopal Churches, St. George’s Methodist Church and the First Baptist Church.  

Since the spring of 2018, more than 60,000 records have been scanned at The Athenaeum of Philadelphia’s Regional Digital Imaging Center. Scholars will be able to access these documents through the American Theological Library Association’s religion and theology digital collections portal and OPenn, the University of Pennsylvania Libraries Open Data Portal. Ranging from the late 17th century through 1870, these digital archives contain undiscovered portals into the relationship between religion and politics in colonial America. 

“Unlike other major genealogical sites,” says Carol Smith, Archivist at Christ Church Preservation Trust, “this project makes research information free and easily accessible to an international audience.” 

Before now, Philadelphia Quaker records in the collections of Haverford and Swarthmore Colleges were only available online through a commercial site. 

“We were excited to be able to bring these records out from behind the paywall and make them more widely available,” says Pat O’Donnell, recently retired Archivist at Friends Historical Library. “This was really important to us.” 

 The Quaker records — approximately 30,000 already completed scans — consist of minutes of Quaker monthly and quarterly business meetings as well as documentation of births, deaths, marriages, burials, removals (transfers), and manumissions in the City of Philadelphia before about 1800. Historical highlights include manumission records — such as a 1776 entry for Dinah, a formerly enslaved woman who saved Germantown’s Stenton from destruction by the British army. Documents also detail Quaker involvement in the American Revolution itself revealing both the “sufferings” of Friends due to their commitment to a peace testimony as well as their dealings with those members who were involved in the Conflict. 

“These collections are part of the bedrock of the beginnings of Pennsylvania,” says Mary A. Crauderueff, Curator of Quaker Collections at Haverford College Libraries.  Their inclusion in this digital portal makes them “accessible in a larger context alongside those of other historic congregations.”  

Members of the public can participate in this effort to preserve and promote local history by transcribing these records, now available on one unified website at www.philadelphiacongregations.org. Already accessible by researchers and genealogists, the collection will be of greater use once records are transcribed and searchable. More than a dozen transcribers have worked steadily through the pandemic on this effort. 

The Athenaeum of Philadelphia, in partnership with the Digitizing Philadelphia’s Historic Congregational Records project team, is hosting a transcription workshop this fall. Volunteers can attend one or all four days of the free seminar — via Zoom — on September 14, 16, 21 or 23 at 10 a.m. Workshop leaders will review the project, share some of its archival finds, and teach basic transcription. 

Please contact Carol Smith, Christ Church Archivist, with further questions at csmith@christchurchphila.org

David Gordon’s THE PHILADELPHIA MATTER – 1972/2020 Premieres Here September 10

David Gordon‘s THE PHILADELPHIA MATTER – 1972/2020 will premiere on September 10, the opening day of the 2020 Philadelphia Fringe Festival, and will stream on our website through the end of the festival on October 4.

Commissioned by Christ Church Neighborhood House with funding from The Pew Center for Arts & Heritage, the performance further evolves the legacy of Gordon’s The Matter works (first presented in 1972, and most recently re-conceived for MoMA in 2018) and brings the choreographer’s trademark blurring of everyday life and performance-as well as his self-reflexive integration of process into presentation-into the present, with all its creative obstacles and potentials. The work, made with video collaborator and editor Jorge Cousineau, features more than 30 Philadelphia performers in addition to Wally Cardona and Pick Up Performance Co(s) members Valda Setterfield and Karen Graham.

We will announce more as Fringe Arts unveils festival plans. Read more about our project here!